"Study of the structural and semantic components of the door and the two tiled columns of Hazrat Suleiman's Court by Estad Ibrahim in Shiraz during the Qajar period"

The tile painting of the court of Hazrat Suleiman the Prophet and the demons is one of the artistic examples of the Qajar period, which, in addition to the artistic and religious characteristics, shows the relationship between art, religion and politics in the Qajar period, which has not been introduced and investigated so far. This rare head was offered at the Bonams auction in 2010 and shows the tradition of tile painting of the Qajar period. The purpose of the research is to investigate the layers of meaning and symbolic values derived from the visual existence of this tile painting as signs in the entire structure of the door and the two mentioned columns, how to draw, analyze and then explain the origin of their formation and the aspect to recognize the content and concepts of this neglected work of the Qajar period in its historical and social context and identify it with the criteria of the Qajar period. The question of the research is as follows: What structural features and visual elements does the tile painting of this door with inspiration from Hazrat Suleiman's court have? What themes are mentioned in the head of the door and columns and is it related? The present research method is descriptive, analytical and qualitative. Collecting information is in a documentary (library) way. At the end of the present research, it is clear that the theme of this work is Hadar Suleiman's court, which used previous contractual patterns and was made by the