Explaining the position of Qazvin school monographs in Iranian painting

Yousefi, Hassan

doi:10.22103/jis.2023.20857.2434

Explaining the position of Qazvin school monographs in Iranian painting

Document Type : Scientific

Author

hassan yousefi

Department of Art, Farhangian University of Qazvin. Iran

10.22103/jis.2023.20857.2434

Abstract

Monographs are a type of Iranian painting in the 10th century. Drawing in this style is often done by focusing on one person or several people, or by combining animals with people, with the aim of drawing personal characteristics, physical appearance, and even traits specific to that person.
take In Qazvin during the Safavid period, we see a change in the drawing of single figures, which has created a realistic attitude towards it. According to the documents left from this era, the new and innovative style of the Qazvin school has a significant contribution to the development of Iranian painting. For this purpose, the following article tries to explain the monographs and monographs of the Qazvin school in the Safavid period in a descriptive-analytical way and by viewing the works and documents and their content analysis. The results of the research show that the artists in the structure and index of the process of producing works of art in the external form, dealing with the themes and subjects and the artistic style of the painters of monograms in a general or special way in the Qazvin school created a transformation and these factors formed a special place in Iranian painting. It was given and later became influential in Bukhara, Shiraz, Türkiye, India and Isfahan.

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